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The Principal Matter
Teachers said Principal Gil Cho was dictatorial. Students said he manhandled them. The school district said he was doing a good job.
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He's No Angel
They once called him a savior who helped people in need. Today, Edwin Parada is accused of taking money from Latinos unfamiliar with real estate laws.
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Nonconformity Still Reigns!
The top eccentrics of San Francisco, and that's saying something.
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A Time to Kill
The SPCA is struggling to finance a new hospital, and one way to save money is to speed up euthanasia.
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State of the Cart
Join us as we map the street food scene and find out why there aren't more vendors in this most food-involved and temperate of cities.
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Here's to You, Mr. Robinson
Published on April 23, 2008
Michael Robinson is a poet, a prankster, a moving target. Heralded as one of the rising stars of avant-garde cinema, Robinson is that rare artist whose sometimes pensive, sometimes invasive films look nothing like each other. Rather than honing a distinctive, recognizable style and sensibility, the Chicago-based filmmaker skips between digital video and 16mm, from painterly compositions to pop-culture excavations. The lovely, soothing Chiquitita and the Soft Escape is a seductive wash of textured images that border on the abstract. Light Is Waiting, which premiered at last year's New York Film Festival (along with another work in this program, Victory Over the Sun), opens with a scene of excruciating precociousness from the TV series Full House before diving headlong into a red-and-blue strobe-lit nightmare. And We All Shine On begins with an ominous nocturnal wind shaking tall trees, then segues into a candy-colored broadcast from some mysterious, unknown locale. (The dark side of the moon, perhaps?) The mysterious Mr. Robinson will be in the house for this overdue one-man show, "Shine On: Films by Michael Robinson," which wraps the S.F. Cinematheque's winter-spring season.
Sun., April 27, 7:30 p.m., 2008